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But we still got a great concert out of it. The band was fantastic. M. Ward was a joy to watch and Zooey Deschanel's voice sounded just as great live as it does on their albums. When she walked out onto the stage and settled behind the microphone, I whispered to Elen, "Wow, she's really tiny." "Um, Beth, she's sitting on a stool." Except Elen was wrong! There was no stool! Zooey Deschanel is that little! For someone that small, she still had quite a lot of energy to share. She spent almost the entirety of their set bouncing up and down, clapping and shaking her tambourine. It was kind of like watching a five year-old.
When she asked the crowd how many Swedes were at the show, the audience (almost entirely Swedish) gently clapped and I think someone may have whistled. Of course, she followed that up by asking whether there were any Americans in the audience. I think there were perhaps five or six of us in attendance, but we all screamed at the tops of our lungs to create a din that dwarfed the Swedes. Because Americans? We are very very loud.
When she asked the crowd how many Swedes were at the show, the audience (almost entirely Swedish) gently clapped and I think someone may have whistled. Of course, she followed that up by asking whether there were any Americans in the audience. I think there were perhaps five or six of us in attendance, but we all screamed at the tops of our lungs to create a din that dwarfed the Swedes. Because Americans? We are very very loud.
a nashville girl in stockholm (in which a swede sings country music with a cute american accent)
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We chatted after the show and I was surprised that although she sings with such a strong American accent, she still speaks English with a heavy Swedish accent. It was just another one of her characteristics that I found completely adorable. When I asked her if it was difficult to write lyrics in a language other than her native tongue, she surprised me by revealing it's much easier for her to write lyrics in English. Not only do many Swedes sing in English to reach a larger audience, it is often a more natural writing process since such a majority of the music they listen to growing up is American or British.
After the show, Elen and I shared some Jameson with a fellow ex-pat until the bar closed. It was time to take Elen home and put her to bed. (She has had maybe two drinks since she's been abroad, so any tolerance she once had has completely evaporated. Give the girl two beers and it's time to put her down for a nap.) Once she passed out in her bed and was softly snoring, I read for about three hours. Because apparently I don't sleep in Sweden.
"so happy i could die" (in which your narrator dies and goes to heaven...disco heaven)
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As was expected, the production featured elaborate costume and set design. The show followed Gaga on her harrowing journey for fame. It was kind of like The Wizard of Oz, but with more profanity. We followed her through gritty urban jungles and dark haunted forests. She transformed from vixen to nun to fairy, then back again. There were times when I felt like I was watching a movie; it seemed impossible that the show was happening right in front of me.
The lady herself pleaded like a demented Tinkerbell as she collapsed onstage and begged for the audience to clap for her to save her life. "Are you really going to let me fucking die!?!" she screamed as the crowd roared. The dancing spectacles were predictably fantastic, but where the star really shined was at the piano. As she sat at her pyrotechnic baby grand, her cries rang out lovely and clear, enthralling the audience. When she pounded the keys and raised her voice, her simple pop ballads became anthems. So yeah, that was pretty cool.
Elen's four year-old niece has since learned to sing "Gaga oh la la!" This pleases me.
If you missed chapter one, here you go!
more adventures from Sweden to follow...
1 comment:
Brilliant, as usual I'm floored by your writing prowess...I feel like I'm in the midst of a novel; tell me more!
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